{"id":629,"date":"2021-03-03T16:29:09","date_gmt":"2021-03-03T16:29:09","guid":{"rendered":"https:\/\/newmatterfilms.com\/?page_id=629"},"modified":"2021-03-08T13:31:22","modified_gmt":"2021-03-08T13:31:22","slug":"pressehimmel","status":"publish","type":"page","link":"https:\/\/newmatterfilms.com\/en\/pressehimmel\/","title":{"rendered":"Presse Himmel"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"class_list":["post-629","page","type-page","status-publish","hentry"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.8 - aioseo.com -->\n\t<meta name=\"robots\" content=\"max-image-preview:large\" \/>\n\t<link rel=\"canonical\" href=\"https:\/\/newmatterfilms.com\/en\/pressehimmel\/\" \/>\n\t<meta name=\"generator\" content=\"All in One SEO (AIOSEO) 4.9.8\" \/>\n\t\t<meta property=\"og:locale\" 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href=\\\"http:\/\/www.filmstarts.de\/amp\/kritiken\/290327\/kritik.html\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">\\\"Mit Alexandre Koberidze betritt ein junger Filmemacher mit <\/a><\/em><a href=\\\"http:\/\/www.filmstarts.de\/amp\/kritiken\/290327\/kritik.html\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\"><em>einer einzigartigen, aufregend neuen Handschrift die B\u00fchne des Weltkinos.\\\"<\/em><\/a><\/p>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 7,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 13,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"http:\/\/www.filmstarts.de\/amp\/kritiken\/290327\/kritik.html\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Filmstarts \/ Jochen Werner<\/a><\/p>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 8,\r\n      \"col\": 2,\r\n      \"colspan\": 7,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 2,\r\n      \"relid\": 14\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><em><a href=\\\"https:\/\/www.radioeins.de\/programm\/sendungen\/berlinale\/berlinale_talk\/berlinale-was-sehen-wir-wenn-wir-zum-himmel-schauen.html\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">\\\"Eine Perle von einem Film.\\\"<\/a><\/em><\/p>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 9,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 15,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.radioeins.de\/programm\/sendungen\/berlinale\/berlinale_talk\/berlinale-was-sehen-wir-wenn-wir-zum-himmel-schauen.html\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">radio eins \/ Knut Elstermann<\/a><\/p>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 10,\r\n      \"col\": 2,\r\n      \"colspan\": 7,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 2,\r\n      \"relid\": 16\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><em><a href=\\\"https:\/\/www.sueddeutsche.de\/kultur\/berlinale-sciamma-rumaenien-georgien-1.5225069\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">\\\"Hochgradig originell\\\"<\/a><\/em><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 11,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 51\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.sueddeutsche.de\/kultur\/berlinale-sciamma-rumaenien-georgien-1.5225069%20 \\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">S\u00fcddeutsche \/ Kathleen Hildebrand<\/a><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 12,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 61\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/zeitung.faz.net\/fas\/feuilleton\/2021-03-07\/die-neue-weltordnung-des-kinos\/580519.html?fbclid=IwAR0x2m3-tDUGGphD98qZee1bUeOx_8jhko-hJ7xLkp1i94Tv95CNF7XrH7c\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\"><em>\\\"Der vielleicht beste Film im Wettbewerb\\\"<\/em><\/a><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 13,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 66\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/zeitung.faz.net\/fas\/feuilleton\/2021-03-07\/die-neue-weltordnung-des-kinos\/580519.html?fbclid=IwAR0x2m3-tDUGGphD98qZee1bUeOx_8jhko-hJ7xLkp1i94Tv95CNF7XrH7c\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Frankfurter Allgemeine \/ Bert Rebhandl<\/a><\/p>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 14,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 67\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><em><a href=\\\"https:\/\/www.tip-berlin.de\/kino-stream\/berlinale\/berlinale-2021\/berlinale-2021-tag-4-kritik-hoehepunkte\/?fbclid=IwAR0qOeMSO1-dVrCNKWOMvfVC9btNFqaLZDyeiJHgRX7My6dN6o35_4dYuZQ\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">\\\"Der gro\u00dfe Favorit auf den Goldenen B\u00e4ren (\u2026) \u00fcberreich an Ideen und Intelligenz.\\\"<\/a><\/em><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 15,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 53\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.tip-berlin.de\/kino-stream\/berlinale\/berlinale-2021\/berlinale-2021-tag-4-kritik-hoehepunkte\/?fbclid=IwAR0qOeMSO1-dVrCNKWOMvfVC9btNFqaLZDyeiJHgRX7My6dN6o35_4dYuZQ\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">tip Berlin<\/a><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 16,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 54\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><em><a href=\\\"https:\/\/www.tagesspiegel.de\/kultur\/berlinale-im-lockdown-vorletzter-tag-kinder-an-die-macht\/26975542.html\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">\\\"Poetisch weitschweifig, schwerelos\\\"<\/a><\/em><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 17,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 55\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.tagesspiegel.de\/kultur\/berlinale-im-lockdown-vorletzter-tag-kinder-an-die-macht\/26975542.html\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Tagesspiegel \/ Andreas Busche<\/a><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 18,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 56\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><em><a href=\\\"https:\/\/www.berliner-zeitung.de\/kultur-vergnuegen\/kino-streaming\/maerchenhafte-filmkunstwas-sehen-wir-wenn-wir-zum-himmel-schauen-li.143998?pid=true\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">\\\"M\u00e4rchenhafte Filmkunst\\\"<\/a><\/em><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 19,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 57\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.berliner-zeitung.de\/kultur-vergnuegen\/kino-streaming\/maerchenhafte-filmkunstwas-sehen-wir-wenn-wir-zum-himmel-schauen-li.143998?pid=true\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Berliner Zeitung \/ Cornelia Gei\u00dfler<\/a><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 20,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 58\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.artechock.de\/film\/text\/artikel\/2021\/03_04_71_berlinale_what_do_we_see_when_we_look_at_the_sky_aslan.html\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\"><em>\\\"Kino der Nebens\u00e4chlichkeiten, Multi-Impressionismus, oder Magischer Neo-Realismus?\\\"<\/em><\/a><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 21,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 59\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.artechock.de\/film\/text\/artikel\/2021\/03_04_71_berlinale_what_do_we_see_when_we_look_at_the_sky_aslan.html\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Arthechock \/ Sedat Aslan<\/a><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 22,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 60\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/ondemand-mp3.dradio.de\/file\/dradio\/2021\/03\/04\/zielgerade_vorlaeufige_bilanz_des_berlinale_wettbewerbs_dlf_20210304_1747_ea47f89a.mp3\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\"><em>\\\"Eine hochpoetische, sehr unterhaltsame Reflexion \u00fcber das Sehen.\\\"<\/em><\/a><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 23,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 62\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/ondemand-mp3.dradio.de\/file\/dradio\/2021\/03\/04\/zielgerade_vorlaeufige_bilanz_des_berlinale_wettbewerbs_dlf_20210304_1747_ea47f89a.mp3\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Deutschlandradio \/ R\u00fcdiger Suchsland<\/a><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 24,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 63\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<h1 class=\\\"_Project_Subline_Intl\\\" style=\\\"text-align: center;\\\"><span style=\\\"text-decoration: underline;\\\">International<\/span><\/h1>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 25,\r\n      \"col\": 4,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 4,\r\n      \"relid\": 8,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/variety.com\/2021\/film\/reviews\/what-do-we-see-when-we-look-at-the-sky-review-1234919783\/?fbclid=IwAR1hnIdi-zt6A4TgknMKQYMqpEciCmXz3mfujK70flFNPDqoN5ybK4bUEHM\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\"><em>\\\"Witty, warm, suprising modern folktale.\\\"<\/em><\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 26,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 37\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/variety.com\/2021\/film\/reviews\/what-do-we-see-when-we-look-at-the-sky-review-1234919783\/?fbclid=IwAR1hnIdi-zt6A4TgknMKQYMqpEciCmXz3mfujK70flFNPDqoN5ybK4bUEHM\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Variety \/ Jessica Kiang<\/a><\/p>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 27,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 18\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.screendaily.com\/reviews\/what-do-we-see-when-we-look-at-the-sky-berlin-review\/5157332.article?adredir=1&amp;fbclid=IwAR26sqrHdHvXP53DDFTk3zeTJZ36vef6llL-J_IVjzzgHeuOVhzCC6X8SWQ\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\"><em>\\\"A slyly inventive, free-ranging adventure in cinematic possibility.\\\"<\/em><\/a><\/p>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 28,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 19\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.screendaily.com\/reviews\/what-do-we-see-when-we-look-at-the-sky-berlin-review\/5157332.article?adredir=1&amp;fbclid=IwAR26sqrHdHvXP53DDFTk3zeTJZ36vef6llL-J_IVjzzgHeuOVhzCC6X8SWQ\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Screendaily \/ Jonathan Romney<\/a><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 29,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 20\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.nytimes.com\/2021\/03\/05\/movies\/berlin-film-festival-bad-luck-banging-or-loony-porn.html\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\"><span style=\\\"font-family: SuisseWorks-RegularItalic-WebXL;\\\">\\\"A gorgeous modern fairy tale\\\"<\/span><\/a><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 30,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 4\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.nytimes.com\/2021\/03\/05\/movies\/berlin-film-festival-bad-luck-banging-or-loony-porn.html\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">The New York Times \/ Jessica Kiang<\/a><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 31,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 33\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.theguardian.com\/film\/2021\/mar\/06\/berlin-film-festival-2021-roundup-review-online-programme?utm_source=dlvr.it&amp;utm_medium=facebook&amp;fbclid=IwAR1PAAHjzChkzokpXf1RLK9gcIR-YJNQ2Gvx2qnSKu0LTpV7Zq8Ifc6MZ0s\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\"><em>\\\"European art cinema at its most irresistibly playful\\\"<\/em><\/a><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 32,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 36\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.theguardian.com\/film\/2021\/mar\/06\/berlin-film-festival-2021-roundup-review-online-programme?utm_source=dlvr.it&amp;utm_medium=facebook&amp;fbclid=IwAR1PAAHjzChkzokpXf1RLK9gcIR-YJNQ2Gvx2qnSKu0LTpV7Zq8Ifc6MZ0s\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">The Guardian \/ Jonathan Romney<\/a><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 33,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 46\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/mubi.com\/notebook\/posts\/berlinale-review-alexandre-koberidze-s-what-do-we-see-when-we-look-at-the-sky\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\"><em>\\\"Idiosyncratic, surprising, youthful, romantic... a true delight.\\\"<\/em><\/a><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 34,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 21\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/mubi.com\/notebook\/posts\/berlinale-review-alexandre-koberidze-s-what-do-we-see-when-we-look-at-the-sky\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Mubi \/ Daniel Kasman<\/a><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 35,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 22\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><a href=\\\"http:\/\/moveablefest.com\/what-do-we-see-when-we-look-at-the-sky\/\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\"><em>\\\"A marvelous and meticulously conceived drama.\\\"<\/em><\/a><\/p>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 36,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 23\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"http:\/\/moveablefest.com\/what-do-we-see-when-we-look-at-the-sky\/\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">The Moveable Fest \/ Stephen Saito<\/a><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 37,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 24\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.criterion.com\/current\/posts\/7305-east-of-berlin\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\"><em>\\\"Playful yet also gorgeously elegiac.\\\"<\/em><\/a><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 38,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 26\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.criterion.com\/current\/posts\/7305-east-of-berlin\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">The Criterion Channel \/ David Hudson<\/a><\/p>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 39,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 25\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.hollywoodreporter.com\/news\/what-do-we-see-when-we-look-at-the-sky-film-review-berlin-2021\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\"><em>\\\"We see a highly accomplished work of cinematic art.\\\"<\/em><\/a><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 40,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 38,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.hollywoodreporter.com\/news\/what-do-we-see-when-we-look-at-the-sky-film-review-berlin-2021\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Hollywood Reporter \/ Boyd van Hoeij<\/a><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 41,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 39\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><em><a href=\\\"https:\/\/www.cineuropa.org\/en\/newsdetail\/398467\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">\\\"We have never seen anything quite like it.\\\"<\/a><\/em><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 42,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 42\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.cineuropa.org\/en\/newsdetail\/398467\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Cineuropa \/ Vladan Petkovic<\/a><a href=\\\"https:\/\/variety.com\/2021\/film\/reviews\/what-do-we-see-when-we-look-at-the-sky-review-1234919783\/?fbclid=IwAR1hnIdi-zt6A4TgknMKQYMqpEciCmXz3mfujK70flFNPDqoN5ybK4bUEHM\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\"><br \/><\/a><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 43,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 43\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.bfi.org.uk\/sight-and-sound\/reviews\/what-do-we-see-when-we-look-sky-alexandre-koberidze-georgian-romance-kafkaesque-quirks\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\"><em>\\\"To say that Koberidze aspires to be a poet of the cinema might sound cloying, <\/em><em>but he certainly thinks in variations, rhythms and echoes.\\\"<\/em><\/a><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 44,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 44\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.bfi.org.uk\/sight-and-sound\/reviews\/what-do-we-see-when-we-look-sky-alexandre-koberidze-georgian-romance-kafkaesque-quirks\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Sight &amp; Sound \/ Ela Bittencourt<\/a><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 45,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 45\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/filmuforia.com\/what-do-we-see-when-we-look-at-the-sky-2021-berlinale\/\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\"><em>\\\"DoP Faraz Fesharaki is enthrall(ing) with glowing images.\\\"<\/em><\/a><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 46,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 27\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/filmuforia.com\/what-do-we-see-when-we-look-at-the-sky-2021-berlinale\/\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Filmuforia \/ Meredith Taylor<\/a><\/p>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 47,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 28\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/tilt.goombastomp.com\/film\/what-do-we-see-when-we-look-at-the-sky-review\/?fbclid=IwAR0KVz9hZuRZG8lTzk0h0M1PqGsayoisOMhJvudjhzJf1-2U82QfaYzvAhs\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\"><em>\\\"This montage works. It really works.\\\"<\/em><\/a><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 48,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 29\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/tilt.goombastomp.com\/film\/what-do-we-see-when-we-look-at-the-sky-review\/?fbclid=IwAR0KVz9hZuRZG8lTzk0h0M1PqGsayoisOMhJvudjhzJf1-2U82QfaYzvAhs\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Tilt \/ Redmond Bacon<\/a><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 49,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 30\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.liberation.fr\/culture\/cinema\/alexandre-koberidze-detour-de-magie-20210307_2BRDJ2UBVVGSHK667RH2XF4I2E\/\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">\\\"An undeniable revelation of this 2021 Berlinale\\\"<\/a><\/p>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 50,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 64\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.liberation.fr\/culture\/cinema\/alexandre-koberidze-detour-de-magie-20210307_2BRDJ2UBVVGSHK667RH2XF4I2E\/\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Lib\u00e9ration \/ Luc Chessel<\/a><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 51,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 65\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/theplaylist.net\/what-do-we-see-when-we-look-at-the-sky-berlin-review-20210305\/\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\"><em>\\\"Cinematographer Faraz Fesheraki\u2019s compositions are gorgeous\\\"<\/em><\/a><\/p>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 52,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 48\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/theplaylist.net\/what-do-we-see-when-we-look-at-the-sky-berlin-review-20210305\/\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">The Playlist \/ Jack King<\/a><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 53,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 52\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.eyeforfilm.co.uk\/review\/what-do-we-see-when-we-look-at-the-sky-2021-film-review-by-amber-wilkinson\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\"><em>\\\"A ruminative charmer.\\\"<\/em><\/a><\/p>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 54,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 31\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.eyeforfilm.co.uk\/review\/what-do-we-see-when-we-look-at-the-sky-2021-film-review-by-amber-wilkinson\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Eye for Film \/ Amber Wilkinson<\/a><\/p>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 55,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 32\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><em><a href=\\\"https:\/\/www.cinematografo.it\/recensioni\/what-do-we-see-when-we-look-at-the-sky\/\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">\\\"Alexandre Koberidze\u2019s playful and enchanting gaze is <\/a><\/em><br \/><em><a href=\\\"https:\/\/www.cinematografo.it\/recensioni\/what-do-we-see-when-we-look-at-the-sky\/\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">among the most promising of the cinema of the years to come.\\\"<\/a><\/em><\/p>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 56,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 17\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.cinematografo.it\/recensioni\/what-do-we-see-when-we-look-at-the-sky\/\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Cinematografo \/ Paolo Bertolin<\/a><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 57,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 47\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><em><a href=\\\"https:\/\/www.taxidrivers.it\/166225\/festival\/berlinale-2021-what-do-we-see-when-we-look-at-the-sky-di-alexandre-koberidze.html\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">\\\"The composition of the images (\u2026) appears as <\/a><\/em><br \/><em><a href=\\\"https:\/\/www.taxidrivers.it\/166225\/festival\/berlinale-2021-what-do-we-see-when-we-look-at-the-sky-di-alexandre-koberidze.html\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">a reflection on everyday life, cinema, vision and beauty.\\\"<\/a><\/em><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 58,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 40\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.taxidrivers.it\/166225\/festival\/berlinale-2021-what-do-we-see-when-we-look-at-the-sky-di-alexandre-koberidze.html\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Taxidrivers \/ Andrea Vassalle<\/a><a href=\\\"https:\/\/variety.com\/2021\/film\/reviews\/what-do-we-see-when-we-look-at-the-sky-review-1234919783\/?fbclid=IwAR1hnIdi-zt6A4TgknMKQYMqpEciCmXz3mfujK70flFNPDqoN5ybK4bUEHM\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\"><br \/><\/a><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 59,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 41\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><em><a href=\\\"http:\/\/www.lepolyester.com\/critique-what-do-we-see-when-we-look-at-the-sky\/\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">\\\"So unique and eloquent at the same time.\\\"<\/a><\/em><\/p>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 60,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 50\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"http:\/\/www.lepolyester.com\/critique-what-do-we-see-when-we-look-at-the-sky\/\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Le Polyester \/ Gregory Coutaut<\/a><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 61,\r\n      \"col\": 3,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 49\r\n    },\r\n    {\r\n      \"type\": \"hr\",\r\n      \"cont\": \"\",\r\n      \"align\": \"middle\",\r\n      \"row\": 62,\r\n      \"col\": 0,\r\n      \"colspan\": 11,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 34,\r\n      \"frameOverflow\": \"both\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<h1 class=\\\"_Project_Subline_Intl\\\"><a href=\\\"https:\/\/newmatterfilms.com\/en\/der-wind-wehte\/\\\" data-catid=\\\"[7,1]\\\">\u2190 to the project<\/a><\/h1>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 63,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 35,\r\n      \"frameOverflow\": \"\"\r\n    }\r\n  ]\r\n}","phonegrid":"{\r\n  \"colCount\": 1,\r\n  \"colGutter\": 1,\r\n  \"rowGutters\": [\r\n    5,\r\n    5,\r\n    5,\r\n    2,\r\n    5,\r\n    2,\r\n    5,\r\n    2,\r\n    5,\r\n    2,\r\n    5,\r\n    2,\r\n    5,\r\n    2,\r\n    5,\r\n    2,\r\n    5,\r\n    2,\r\n    5,\r\n    2,\r\n    5,\r\n    2,\r\n    5,\r\n    2,\r\n    5,\r\n    5,\r\n    2,\r\n    5,\r\n    2,\r\n    5,\r\n    2,\r\n    5,\r\n    2,\r\n    5,\r\n    2,\r\n    5,\r\n    2,\r\n    5,\r\n    2,\r\n    5,\r\n    2,\r\n    5,\r\n    2,\r\n    5,\r\n    2,\r\n    5,\r\n    2,\r\n    5,\r\n    2,\r\n    5,\r\n    2,\r\n    5,\r\n    2,\r\n    5,\r\n    2,\r\n    5,\r\n    2,\r\n    5,\r\n    2,\r\n    5,\r\n    2,\r\n    5,\r\n    5\r\n  ],\r\n  \"frameMargin\": 5,\r\n  \"topFrameMargin\": 5,\r\n  \"bottomFrameMargin\": 5,\r\n  \"rowAttrs\": [\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {}\r\n  ],\r\n  \"bgColor\": null,\r\n  \"cont\": [\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<h1 class=\\\"_Project_Subline_Intl\\\" style=\\\"text-align: center;\\\"><span style=\\\"text-decoration: underline;\\\">Press review<br \/><\/span><\/h1>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 0,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 5,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<h1 class=\\\"_Project_Subline_Intl\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/newmatterfilms.com\/der-wind-wehte\/\\\" data-type=\\\"project\\\" data-id=\\\"438\\\" data-title=\\\"What do we see when we look at the sky?\\\" data-catid=\\\"[7,1]\\\">What do we see when we look at the sky?<\/a><\/h1>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 1,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 6,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<h1 class=\\\"_Project_Subline_Intl\\\" style=\\\"text-align: center;\\\"><span style=\\\"text-decoration: underline;\\\">German<\/span><\/h1>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 2,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 7\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.critic.de\/film\/was-sehen-wir-wenn-wir-zum-himmel-schauen-15013\/\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\"><em>\\\"Alexandre Koberidze schenkt uns ein echtes Sommerm\u00e4rchen und meint es ganz ernst damit.\\\"<\/em><\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 3,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 9,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.critic.de\/film\/was-sehen-wir-wenn-wir-zum-himmel-schauen-15013\/\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Critic.de \/ Jonas Nestroy<\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 4,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 10,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><em><a href=\\\"https:\/\/www.rbb24.de\/kultur\/berlinale\/wettbewerbsfilme\/2021\/was-sehen-wir-wenn-wir-zum-himmel-schauen-alexandre-koberidze-kritik.html\\\">\\\"Eine geradezu unglaublich reife, stilistisch selbstbewusste <\/a><\/em><a href=\\\"https:\/\/www.rbb24.de\/kultur\/berlinale\/wettbewerbsfilme\/2021\/was-sehen-wir-wenn-wir-zum-himmel-schauen-alexandre-koberidze-kritik.html\\\"><em>und verbl\u00fcffend vielschichtige Meisterleistung.\\\"<\/em><\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 5,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 12,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.rbb24.de\/kultur\/berlinale\/wettbewerbsfilme\/2021\/was-sehen-wir-wenn-wir-zum-himmel-schauen-alexandre-koberidze-kritik.html\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\" data-id=\\\"0\\\">rbb24 \/ Fabian Wallmeier<\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 6,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 11,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><em><a href=\\\"http:\/\/www.filmstarts.de\/amp\/kritiken\/290327\/kritik.html\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">\\\"Mit Alexandre Koberidze betritt ein junger Filmemacher mit <\/a><\/em><a href=\\\"http:\/\/www.filmstarts.de\/amp\/kritiken\/290327\/kritik.html\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\"><em>einer einzigartigen, aufregend neuen Handschrift die B\u00fchne des Weltkinos.\\\"<\/em><\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 7,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 13,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"http:\/\/www.filmstarts.de\/amp\/kritiken\/290327\/kritik.html\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Filmstarts \/ Jochen Werner<\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 8,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 14\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><em><a href=\\\"https:\/\/www.radioeins.de\/programm\/sendungen\/berlinale\/berlinale_talk\/berlinale-was-sehen-wir-wenn-wir-zum-himmel-schauen.html\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">\\\"Eine Perle von einem Film.\\\"<\/a><\/em><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 9,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 15,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.radioeins.de\/programm\/sendungen\/berlinale\/berlinale_talk\/berlinale-was-sehen-wir-wenn-wir-zum-himmel-schauen.html\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">radio eins \/ Knut Elstermann<\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 10,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 16\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><em><a href=\\\"https:\/\/www.sueddeutsche.de\/kultur\/berlinale-sciamma-rumaenien-georgien-1.5225069\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">\\\"Hochgradig originell\\\"<\/a><\/em><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 11,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 51\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.sueddeutsche.de\/kultur\/berlinale-sciamma-rumaenien-georgien-1.5225069%20 \\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">S\u00fcddeutsche \/ Kathleen Hildebrand<\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 12,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 61\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/zeitung.faz.net\/fas\/feuilleton\/2021-03-07\/die-neue-weltordnung-des-kinos\/580519.html?fbclid=IwAR0x2m3-tDUGGphD98qZee1bUeOx_8jhko-hJ7xLkp1i94Tv95CNF7XrH7c\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\"><em>\\\"Der vielleicht beste Film im Wettbewerb\\\"<\/em><\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 13,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 66\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/zeitung.faz.net\/fas\/feuilleton\/2021-03-07\/die-neue-weltordnung-des-kinos\/580519.html?fbclid=IwAR0x2m3-tDUGGphD98qZee1bUeOx_8jhko-hJ7xLkp1i94Tv95CNF7XrH7c\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Frankfurter Allgemeine \/ Bert Rebhandl<\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 14,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 67\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><em><a href=\\\"https:\/\/www.tip-berlin.de\/kino-stream\/berlinale\/berlinale-2021\/berlinale-2021-tag-4-kritik-hoehepunkte\/?fbclid=IwAR0qOeMSO1-dVrCNKWOMvfVC9btNFqaLZDyeiJHgRX7My6dN6o35_4dYuZQ\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">\\\"Der gro\u00dfe Favorit auf den Goldenen B\u00e4ren (\u2026) \u00fcberreich an Ideen und Intelligenz.\\\"<\/a><\/em><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 15,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 53\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.tip-berlin.de\/kino-stream\/berlinale\/berlinale-2021\/berlinale-2021-tag-4-kritik-hoehepunkte\/?fbclid=IwAR0qOeMSO1-dVrCNKWOMvfVC9btNFqaLZDyeiJHgRX7My6dN6o35_4dYuZQ\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">tip Berlin<\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 16,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 54\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><em><a href=\\\"https:\/\/www.tagesspiegel.de\/kultur\/berlinale-im-lockdown-vorletzter-tag-kinder-an-die-macht\/26975542.html\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">\\\"Poetisch weitschweifig, schwerelos\\\"<\/a><\/em><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 17,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 55\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.tagesspiegel.de\/kultur\/berlinale-im-lockdown-vorletzter-tag-kinder-an-die-macht\/26975542.html\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Tagesspiegel \/ Andreas Busche<\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 18,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 56\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><em><a href=\\\"https:\/\/www.berliner-zeitung.de\/kultur-vergnuegen\/kino-streaming\/maerchenhafte-filmkunstwas-sehen-wir-wenn-wir-zum-himmel-schauen-li.143998?pid=true\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">\\\"M\u00e4rchenhafte Filmkunst\\\"<\/a><\/em><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 19,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 57\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.berliner-zeitung.de\/kultur-vergnuegen\/kino-streaming\/maerchenhafte-filmkunstwas-sehen-wir-wenn-wir-zum-himmel-schauen-li.143998?pid=true\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Berliner Zeitung \/ Cornelia Gei\u00dfler<\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 20,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 58\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.artechock.de\/film\/text\/artikel\/2021\/03_04_71_berlinale_what_do_we_see_when_we_look_at_the_sky_aslan.html\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\"><em>\\\"Kino der Nebens\u00e4chlichkeiten, Multi-Impressionismus, oder Magischer Neo-Realismus?\\\"<\/em><\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 21,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 59\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.artechock.de\/film\/text\/artikel\/2021\/03_04_71_berlinale_what_do_we_see_when_we_look_at_the_sky_aslan.html\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Arthechock \/ Sedat Aslan<\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 22,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 60\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/ondemand-mp3.dradio.de\/file\/dradio\/2021\/03\/04\/zielgerade_vorlaeufige_bilanz_des_berlinale_wettbewerbs_dlf_20210304_1747_ea47f89a.mp3\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\"><em>\\\"Eine hochpoetische, sehr unterhaltsame Reflexion \u00fcber das Sehen.\\\"<\/em><\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 23,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 62\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/ondemand-mp3.dradio.de\/file\/dradio\/2021\/03\/04\/zielgerade_vorlaeufige_bilanz_des_berlinale_wettbewerbs_dlf_20210304_1747_ea47f89a.mp3\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Deutschlandradio \/ R\u00fcdiger Suchsland<\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 24,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 63\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<h1 class=\\\"_Project_Subline_Intl\\\" style=\\\"text-align: center;\\\"><span style=\\\"text-decoration: underline;\\\">International<\/span><\/h1>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 25,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 8,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/variety.com\/2021\/film\/reviews\/what-do-we-see-when-we-look-at-the-sky-review-1234919783\/?fbclid=IwAR1hnIdi-zt6A4TgknMKQYMqpEciCmXz3mfujK70flFNPDqoN5ybK4bUEHM\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\"><em>\\\"Witty, warm, suprising modern folktale.\\\"<\/em><\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 26,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 37\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/variety.com\/2021\/film\/reviews\/what-do-we-see-when-we-look-at-the-sky-review-1234919783\/?fbclid=IwAR1hnIdi-zt6A4TgknMKQYMqpEciCmXz3mfujK70flFNPDqoN5ybK4bUEHM\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Variety \/ Jessica Kiang<\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 27,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 18\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.screendaily.com\/reviews\/what-do-we-see-when-we-look-at-the-sky-berlin-review\/5157332.article?adredir=1&amp;fbclid=IwAR26sqrHdHvXP53DDFTk3zeTJZ36vef6llL-J_IVjzzgHeuOVhzCC6X8SWQ\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\"><em>\\\"A slyly inventive, free-ranging adventure in cinematic possibility.\\\"<\/em><\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 28,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 19\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.screendaily.com\/reviews\/what-do-we-see-when-we-look-at-the-sky-berlin-review\/5157332.article?adredir=1&amp;fbclid=IwAR26sqrHdHvXP53DDFTk3zeTJZ36vef6llL-J_IVjzzgHeuOVhzCC6X8SWQ\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Screendaily \/ Jonathan Romney<\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 29,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 20\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.nytimes.com\/2021\/03\/05\/movies\/berlin-film-festival-bad-luck-banging-or-loony-porn.html\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\"><span style=\\\"font-family: SuisseWorks-RegularItalic-WebXL;\\\">\\\"A gorgeous modern fairy tale\\\"<\/span><\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 30,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 4\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.nytimes.com\/2021\/03\/05\/movies\/berlin-film-festival-bad-luck-banging-or-loony-porn.html\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">The New York Times \/ Jessica Kiang<\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 31,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 33\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.theguardian.com\/film\/2021\/mar\/06\/berlin-film-festival-2021-roundup-review-online-programme?utm_source=dlvr.it&amp;utm_medium=facebook&amp;fbclid=IwAR1PAAHjzChkzokpXf1RLK9gcIR-YJNQ2Gvx2qnSKu0LTpV7Zq8Ifc6MZ0s\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\"><em>\\\"European art cinema at its most irresistibly playful\\\"<\/em><\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 32,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 36\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.theguardian.com\/film\/2021\/mar\/06\/berlin-film-festival-2021-roundup-review-online-programme?utm_source=dlvr.it&amp;utm_medium=facebook&amp;fbclid=IwAR1PAAHjzChkzokpXf1RLK9gcIR-YJNQ2Gvx2qnSKu0LTpV7Zq8Ifc6MZ0s\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">The Guardian \/ Jonathan Romney<\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 33,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 46\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/mubi.com\/notebook\/posts\/berlinale-review-alexandre-koberidze-s-what-do-we-see-when-we-look-at-the-sky\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\"><em>\\\"Idiosyncratic, surprising, youthful, romantic... a true delight.\\\"<\/em><\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 34,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 21\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/mubi.com\/notebook\/posts\/berlinale-review-alexandre-koberidze-s-what-do-we-see-when-we-look-at-the-sky\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Mubi \/ Daniel Kasman<\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 35,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 22\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><a href=\\\"http:\/\/moveablefest.com\/what-do-we-see-when-we-look-at-the-sky\/\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\"><em>\\\"A marvelous and meticulously conceived drama.\\\"<\/em><\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 36,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 23\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"http:\/\/moveablefest.com\/what-do-we-see-when-we-look-at-the-sky\/\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">The Moveable Fest \/ Stephen Saito<\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 37,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 24\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.criterion.com\/current\/posts\/7305-east-of-berlin\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\"><em>\\\"Playful yet also gorgeously elegiac.\\\"<\/em><\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 38,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 26\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.criterion.com\/current\/posts\/7305-east-of-berlin\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">The Criterion Channel \/ David Hudson<\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 39,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 25\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.hollywoodreporter.com\/news\/what-do-we-see-when-we-look-at-the-sky-film-review-berlin-2021\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\"><em>\\\"We see a highly accomplished work of cinematic art.\\\"<\/em><\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 40,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 38,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.hollywoodreporter.com\/news\/what-do-we-see-when-we-look-at-the-sky-film-review-berlin-2021\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Hollywood Reporter \/ Boyd van Hoeij<\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 41,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 39\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><em><a href=\\\"https:\/\/www.cineuropa.org\/en\/newsdetail\/398467\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">\\\"We have never seen anything quite like it.\\\"<\/a><\/em><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 42,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 42\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.cineuropa.org\/en\/newsdetail\/398467\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Cineuropa \/ Vladan Petkovic<\/a><a href=\\\"https:\/\/variety.com\/2021\/film\/reviews\/what-do-we-see-when-we-look-at-the-sky-review-1234919783\/?fbclid=IwAR1hnIdi-zt6A4TgknMKQYMqpEciCmXz3mfujK70flFNPDqoN5ybK4bUEHM\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\"><br \/><\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 43,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 43\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.bfi.org.uk\/sight-and-sound\/reviews\/what-do-we-see-when-we-look-sky-alexandre-koberidze-georgian-romance-kafkaesque-quirks\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\"><em>\\\"To say that Koberidze aspires to be a poet of the cinema might sound cloying, <\/em><em>but he certainly thinks in variations, rhythms and echoes.\\\"<\/em><\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 44,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 44\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.bfi.org.uk\/sight-and-sound\/reviews\/what-do-we-see-when-we-look-sky-alexandre-koberidze-georgian-romance-kafkaesque-quirks\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Sight &amp; Sound \/ Ela Bittencourt<\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 45,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 45\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/filmuforia.com\/what-do-we-see-when-we-look-at-the-sky-2021-berlinale\/\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\"><em>\\\"DoP Faraz Fesharaki is enthrall(ing) with glowing images.\\\"<\/em><\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 46,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 27\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/filmuforia.com\/what-do-we-see-when-we-look-at-the-sky-2021-berlinale\/\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Filmuforia \/ Meredith Taylor<\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 47,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 28\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/tilt.goombastomp.com\/film\/what-do-we-see-when-we-look-at-the-sky-review\/?fbclid=IwAR0KVz9hZuRZG8lTzk0h0M1PqGsayoisOMhJvudjhzJf1-2U82QfaYzvAhs\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\"><em>\\\"This montage works. It really works.\\\"<\/em><\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 48,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 29\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/tilt.goombastomp.com\/film\/what-do-we-see-when-we-look-at-the-sky-review\/?fbclid=IwAR0KVz9hZuRZG8lTzk0h0M1PqGsayoisOMhJvudjhzJf1-2U82QfaYzvAhs\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Tilt \/ Redmond Bacon<\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 49,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 30\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.liberation.fr\/culture\/cinema\/alexandre-koberidze-detour-de-magie-20210307_2BRDJ2UBVVGSHK667RH2XF4I2E\/\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">\\\"An undeniable revelation of this 2021 Berlinale\\\"<\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 50,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 64\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.liberation.fr\/culture\/cinema\/alexandre-koberidze-detour-de-magie-20210307_2BRDJ2UBVVGSHK667RH2XF4I2E\/\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Lib\u00e9ration \/ Luc Chessel<\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 51,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 65\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/theplaylist.net\/what-do-we-see-when-we-look-at-the-sky-berlin-review-20210305\/\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\"><em>\\\"Cinematographer Faraz Fesheraki\u2019s compositions are gorgeous\\\"<\/em><\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 52,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 48\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/theplaylist.net\/what-do-we-see-when-we-look-at-the-sky-berlin-review-20210305\/\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">The Playlist \/ Jack King<\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 53,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 52\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.eyeforfilm.co.uk\/review\/what-do-we-see-when-we-look-at-the-sky-2021-film-review-by-amber-wilkinson\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\"><em>\\\"A ruminative charmer.\\\"<\/em><\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 54,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 31\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.eyeforfilm.co.uk\/review\/what-do-we-see-when-we-look-at-the-sky-2021-film-review-by-amber-wilkinson\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Eye for Film \/ Amber Wilkinson<\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 55,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 32\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><em><a href=\\\"https:\/\/www.cinematografo.it\/recensioni\/what-do-we-see-when-we-look-at-the-sky\/\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">\\\"Alexandre Koberidze\u2019s playful and enchanting gaze is <\/a><\/em><br \/><em><a href=\\\"https:\/\/www.cinematografo.it\/recensioni\/what-do-we-see-when-we-look-at-the-sky\/\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">among the most promising of the cinema of the years to come.\\\"<\/a><\/em><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 56,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 17\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.cinematografo.it\/recensioni\/what-do-we-see-when-we-look-at-the-sky\/\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Cinematografo \/ Paolo Bertolin<\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 57,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 47\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><em><a href=\\\"https:\/\/www.taxidrivers.it\/166225\/festival\/berlinale-2021-what-do-we-see-when-we-look-at-the-sky-di-alexandre-koberidze.html\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">\\\"The composition of the images (\u2026) appears as <\/a><\/em><br \/><em><a href=\\\"https:\/\/www.taxidrivers.it\/166225\/festival\/berlinale-2021-what-do-we-see-when-we-look-at-the-sky-di-alexandre-koberidze.html\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">a reflection on everyday life, cinema, vision and beauty.\\\"<\/a><\/em><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 58,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 40\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/www.taxidrivers.it\/166225\/festival\/berlinale-2021-what-do-we-see-when-we-look-at-the-sky-di-alexandre-koberidze.html\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Taxidrivers \/ Andrea Vassalle<\/a><a href=\\\"https:\/\/variety.com\/2021\/film\/reviews\/what-do-we-see-when-we-look-at-the-sky-review-1234919783\/?fbclid=IwAR1hnIdi-zt6A4TgknMKQYMqpEciCmXz3mfujK70flFNPDqoN5ybK4bUEHM\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\"><br \/><\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 59,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 41\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Default_Works\\\" style=\\\"text-align: center;\\\"><em><a href=\\\"http:\/\/www.lepolyester.com\/critique-what-do-we-see-when-we-look-at-the-sky\/\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">\\\"So unique and eloquent at the same time.\\\"<\/a><\/em><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 60,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 50\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_captions_works\\\" style=\\\"text-align: center;\\\"><a href=\\\"http:\/\/www.lepolyester.com\/critique-what-do-we-see-when-we-look-at-the-sky\/\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Le Polyester \/ Gregory Coutaut<\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 61,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 49\r\n    },\r\n    {\r\n      \"type\": \"hr\",\r\n      \"cont\": \"\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 62,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 34,\r\n      \"frameOverflow\": \"both\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<h1 class=\\\"_Project_Subline_Intl\\\"><a href=\\\"https:\/\/newmatterfilms.com\/en\/der-wind-wehte\/\\\" data-catid=\\\"[7,1]\\\">\u2190 to the project<\/a><\/h1>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 63,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 35,\r\n      \"frameOverflow\": \"\"\r\n    }\r\n  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